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CLAIRE
PREWER
"Soprano
Prewer has an amazing voice that belies her small
frame.Stupendous" -
Ross Crawford.]
(C.B.S.O.
Centre July 2001 - `A Midsummer Night at the Opera')
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Born
in 1970, Claire was born into a musical family and has been singing
since a very early age, her first recording session taking place in a
professional London studio when she was five years old.
Claire won a scholarship to the Guildhall School of Music and
Drama where she studied for five years; four on the A.G.S.M.
performer's course studying with Margaret Lensky and Johanna Peters and
a further year on the Guildhall's Opera Course studying with Dr.
Elizabeth Vaughan where she performed in extracts from 'The Rape of
Lucretia' (Britten), 'War and Peace' (Prokofiev), 'Dialogues of the
Carmelites' (Poulenc) and a performance of the last Act of 'Don
Giovanni' at St. James' church, Piccadilly in which she played Donna
Elvira opposite Ben Luxon as 'the Don'.
As
well as winning the Freda Parry Scholarship prize and a prize in the
Guildhall's Mirsky competition, Claire also won a competition to sing
the soprano solo in Handel's 'Messiah' with Bramwell Tovey conducting.
She has also appeared in master classes with Elizabeth Soderström
and Graham Johnson.
Aside
from her classical commitments, Claire performs in such diverse fields
as musicals, (Squeak - Queens Theatre, Out of this World - London),
cabaret (The Royal Albert Hall, The Talk of East Anglia, Ryde Theatre
- Isle of Wight) and regular session and recording work.
She has also performed aboard Cunard's 'Caronia' with the
Stella Ensemble and has recently performed with the City of Birmingham
Symphony Orchestra's 'Berkley Ensemble' at the C.B.S.O. Centre in
Birmingham. She
has also recently performed David Fanshawe's African Sanctus in
Worcester Cathedral with the Worcester Festival Chorus.
Alongside
her singing career, Claire is increasingly becoming involved in
additional aspects of music, which include studio session work,
arranging (her work spanning from ten piece bands to virtuosic classical
encores) and most recently, record production.
She is currently producing the debut album of the Innovation
Chamber Ensemble, a new group comprised of the principal players from
the City of Birmingham Symphony Orchestra. Claire also enjoys teaching
singing, violin and piano and has also written a series of children's
educational theory books.
Future
engagements include Dr. Andrew Gant's 'the vision of Piers
Plowman' at Symphony Hall, Birmingham, performing with the CBSO's
Berkley Salon at the CBSO Centre, Pierrot Lunaire in the Civic Hall,
Wolverhampton and also a tour of the Bahamas.
A series of performances are scheduled later this year for
Menotti's 'Amahl and the night visitors'.
Claire
and her husband, `cellist Richard Jenkinson, met whilst studying at the
Guildhall School of Music and Drama and now live in Worcester with their
eight-year old son who is a chorister at Worcester Cathedral.
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